Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Piero della Francesca
reconstruction of the annunciating angel from the detail of the madonna della misericordia, central panel of the polytych of the misericordia

ID: 64867

Piero della Francesca reconstruction of the annunciating angel from the detail of the madonna della misericordia, central panel of the polytych of the misericordia
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Piero della Francesca reconstruction of the annunciating angel from the detail of the madonna della misericordia, central panel of the polytych of the misericordia


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Piero della Francesca

Italian Early Renaissance Painter, ca.1422-1492 Italian painter and theorist. His work is the embodiment of rational, calm, monumental painting in the Italian Early Renaissance, an age in which art and science were indissolubly linked through the writings of Leon Battista Alberti. Born two generations before Leonardo da Vinci, Piero was similarly interested in the scientific application of the recently discovered rules of perspective to narrative or devotional painting, especially in fresco, of which he was an imaginative master; and although he was less universally creative than Leonardo and worked in an earlier idiom, he was equally keen to experiment with painting technique. Piero was as adept at resolving problems in Euclid, whose modern rediscovery is largely due to him, as he was at creating serene, memorable figures, whose gestures are as telling and spare as those in the frescoes of Giotto or Masaccio. His tactile, gravely convincing figures are also indebted to the sculpture of Donatello, an equally attentive observer of Classical antiquity. In his best works, such as the frescoes in the Bacci Chapel in S Francesco, Arezzo, there is an ideal balance between his serene, classical compositions and the figures that inhabit them, the whole depicted in a distinctive and economical language. In his autograph works Piero was a perfectionist, creating precise, logical and light-filled images (although analysis of their perspective schemes shows that these were always subordinated to narrative effect). However, he often delegated important passages of works (e.g. the Arezzo frescoes) to an ordinary, even incompetent, assistant.   Related Paintings of Piero della Francesca :. | polyptych of saint augustine | the legend of the true cross, detail | The Flagellation fo Christ | the legend of the true cross, detail | sansepolcro, museo civico |
Related Artists:
James Gunn
1753 - 1801
Andreas Ritzos
Greek Byzantine Style Painter, 1422-1492
Mariia Konstantinovna Bashkirtseva
impression artist F: J 1858 Nov 12 (wrongly 1860 Nov 23) - 1884 Oct 31






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